Project Director
Buffington, Ron
Department Examiner
Vogel, Christina; Little, Laura
Publisher
University of Tennessee at Chattanooga
Place of Publication
Chattanooga (Tenn.)
Abstract
This text serves as a backdrop written in support of a body of paintings. The series of paintings revolve around the relationship between mechanical and human reproduction in mapping. The text challenges the Benjaminian notion that an artwork contains one unique aura and replication of the artwork damages the aura. It argues that by displacing surrounding references from the original map, the symbols made by the cartographers hand can be seen as aesthetic marks through an unlearning of their original purpose as a tool. Using the Jakobsonian axis of selection and axis of combination I remove and gain a sense of control over the construction of the images and combine them with the methodologies of oil painting to create works of a new totality.
Degree
B. F. A.; An honors thesis submitted to the faculty of the University of Tennessee at Chattanooga in partial fulfillment of the requirements of the degree of Bachelor of Fine Arts.
Date
5-2024
Subject
Artists' materials; Maps in art; Mixed media painting; Painting--Semiotics; Symbolism in art
Discipline
Painting
Document Type
Theses
Extent
ii, 33 leaves
DCMI Type
Text
Language
English
Rights
http://rightsstatements.org/vocab/InC/1.0/
License
http://creativecommons.org/licenses/by-nc-nd/4.0/
Recommended Citation
Greenwell, Katharine, "Contemplative constructions" (2024). Honors Theses.
https://scholar.utc.edu/honors-theses/448
Department
Dept. of Art